Her studio practice focuses on personal and political lineages of information – specifically on improvisational and dialogue-based methods of knowledge transmission. She is currently working towards new work that tells a story of Peg Miller, an American artist who lived in a bank building in Spring Green, Wisconsin for the last thirty years of her life. In this process, she is employing scriptwriting that departs from interview transcriptions, quiltmaking, video production, and puppetry.
Often historically used to share dissident stories, puppetry is used in the video work The Treasury to perform a collective recollection of an artist who survived addiction and made her own economy. A small history becomes a portrait of both an artists’ life and the disturbance of a financial institution’s transition. The Treasury is a memorial for a joyful misuse of space.